Handel: Memoirs 5

Richard Wistreich & Philipp von Steinaecker

69 BRANI • 1 ORA E 1 MINUTO • AUG 21 2024

1

The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker, Musica Saeculorum & Dominik Wörner

04:04

2

The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker, Musica Saeculorum & Kristina Hammarström

05:02

3

The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker & Musica Saeculorum

01:06

4

Memoirs: Observations on the works: Before we enter on the examinations

Richard Wistreich

00:41

5

Memoirs: Observations on the works: Music is founded on established rules

Richard Wistreich

00:43

6

Memoirs: Observations on the works: The rules are derived from experience

Richard Wistreich

00:39

7

Memoirs: Observations on the works: The former of these

Richard Wistreich

00:36

8

Memoirs: Observations on the works: Such passages

Richard Wistreich

00:36

9

Memoirs: Observations on the works: Hence too we may conclude

Richard Wistreich

00:31

10

Memoirs: Observations on the works: As tste implies a natural sensibility

Richard Wistreich

00:32

11

Memoirs: Observations on the works: Art is here not only useless, but dangerous

Richard Wistreich

00:31

12

Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance

Richard Wistreich

00:38

13

Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music

Richard Wistreich

00:39

14

Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen

Richard Wistreich

00:33

15

Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music

Richard Wistreich

00:32

16

Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part

Richard Wistreich

00:34

17

Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances

Richard Wistreich

00:35

18

Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina

Richard Wistreich

00:33

19

Memoirs: Italian music since Palestrina: It happened, as it naturally must

Richard Wistreich

00:38

20

Memoirs: Italian music since Palestrina: For their instrumental parts

Richard Wistreich

00:35

21

Memoirs: Italian music since Palestrina: The one is, that they have little time for composing

Richard Wistreich

00:36

22

Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy

Richard Wistreich

00:38

23

Memoirs: Italian music since Palestrina: This in some degree

Richard Wistreich

00:46

24

Memoirs: Interaction between Handel and the italians: From all that has been said

Richard Wistreich

00:53

25

Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy

Richard Wistreich

00:53

26

Memoirs: Value of harmony and melody: But in order to make a right judgement

Richard Wistreich

00:39

27

Memoirs: Value of harmony and melody: The concertos of Tartini

Richard Wistreich

00:38

28

Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully

Richard Wistreich

00:48

29

Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way

Richard Wistreich

00:47

30

Memoirs: Value of harmony and melody: It may also be added

Richard Wistreich

00:42

31

Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted

Richard Wistreich

00:42

32

Memoirs: Value of harmony and melody: The best Painter would be blamed

Richard Wistreich

00:38

33

Memoirs: Uneven success in Handel: To speak the plain truth

Richard Wistreich

00:40

34

Memoirs: Uneven success in Handel: A gentleman whom he had desired

Richard Wistreich

00:38

35

Memoirs: Uneven success in Handel "Un disprezzato affetto"

Richard Wistreich

00:40

36

Memoirs: Tartini as example of vocal writing for instruments: Here too we will see

Richard Wistreich

00:32

37

Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species

Richard Wistreich

00:34

38

Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages

Richard Wistreich

00:59

39

Memoirs: Importance of textual considerations in composition: And here I just may take notice

Richard Wistreich

00:39

40

Memoirs: Importance of textual considerations in composition: A too close attachment

Richard Wistreich

00:35

41

Memoirs: Importance of textual considerations in composition: The English tongue

Richard Wistreich

00:46

42

Memoirs: Importance of textual considerations in composition: If it abounds with noble images

Richard Wistreich

00:41

43

Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival

Richard Wistreich

00:45

44

Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle

Richard Wistreich

00:37

45

Memoirs: Exceptional nature of Handels choral music: But there are many reasons

Richard Wistreich

00:34

46

Memoirs: Exceptional nature of Handels choral music: It is however no way improbable

Richard Wistreich

00:38

47

Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios

Richard Wistreich

00:39

48

Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius

Richard Wistreich

00:51

49

Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception

Richard Wistreich

00:46

50

Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music

Richard Wistreich

00:56

51

Memoirs: Duets, trios and Acis and Galatea: The Duettos and Terzettos were made at different times

Richard Wistreich

00:40

52

Memoirs: Duets, trios and Acis and Galatea: The author hat only himself to please

Richard Wistreich

01:12

53

Memoirs: Duets, trios and Acis and Galatea: It was not to be disembled

Richard Wistreich

00:46

54

Memoirs: Duets, trios and Acis and Galatea: The Duetto beginning Amiravi mio sono intento

Richard Wistreich

00:47

55

Memoirs: Duets, trios and Acis and Galatea: Among the Trios "Quando non ho più core"

Richard Wistreich

00:52

56

Memoirs: Duets, trios and Acis and Galatea: Though the Duettos and Trios in his Operas and Oratorios

Richard Wistreich

00:51

57

Memoirs: Duets, trios and Acis and Galatea: The Cantatas now remaining

Richard Wistreich

00:38

58

Memoirs: Qualities of instrumental music: In his Music for Instruments

Richard Wistreich

00:40

59

Memoirs: Qualities of instrumental music: Tho' no man ever introduced such a number of instruments

Richard Wistreich

00:35

60

Memoirs: Keyboard music: Harpsichord Lessons

Richard Wistreich

00:37

61

Memoirs: Keyboard music: Indeed there seems to be more work in that

Richard Wistreich

00:32

62

Memoirs: Place and significance of religion and humanity in Handel's works

Richard Wistreich

01:11

63

Memoirs: Exemplary character of Handel's works: The hopes of rendering some service to Music

Richard Wistreich

00:59

64

Memoirs: Exemplary character of Handel's works: At all events

Richard Wistreich

00:38

65

Memoirs: Exemplary character of Handel's works: Our most fashonable Music

Richard Wistreich

00:31

66

Handel - Memoirs 5 - 63 - Exemplary character of Handel's works Such a decay

Richard Wistreich

00:47

67

The Messiah, HWV 56: Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker & Musica Saeculorum

02:15

68

The Messiah, HWV 56: Pt. 1 No. 17, Glory to God In the Highest (Chorus) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker & Musica Saeculorum

01:56

69

The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) (Live at Cathedral of Brixen, 08/28/2009)

Philipp von Steinaecker & Musica Saeculorum

03:40

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