Gramophone Classical Music Podcast

Organist and pianist James McVinnie's new album 'Dreamcatcher' is a beautiful series of works by contemporary composers including Nico Muhly, John Adams, Giles Swayne, Gabriella Smith, Meredith Monk and others, all based around ideas of imagining – be that to do with memory, architecture, musical form or social justice. He joins Editor Martin Cullingford in this week's Podcast to talk through the programme, and about the sound world he's created for this captivating recording. 'Dreamcatcher' is available on the Pentatone label from next Friday, January 17.

Last August Gramophone's James Jolly travelled to Montana in the USA, to sample the musical, artistic and architectural wonders of Tippet Rise, an arts centre created by Peter and Cathy Halstead on a 12,000 acre working ranch. As well as possesssing a wonderful concert hall, Tippet Rise also plays host to numerous large sculptures, some of which can also be used as performance spaces. And for a number of weekends each year musicians from all over the world come to perform at Tippet Rise.  In 2024, pianists Yevgeny Sudbin and Jean-Efflam Bavouzet were among the performers and James took the opportunity, made considerably easier by Tippet Rise’s state-of-the-art recording facilities, to sit down with them to talk about pianos, recording, repertoire and the place in which they all found ourselves … The photograph was taken in The Olivier Music Barn, Tippet Rise's concert hall, in front of Mark di Suvero's painting Seminal (1978-82, acrylic on linen).

In a special edition of the Gramophone Podcast, we explore the music of Charles Villiers Stanford with the leading expert on the composer, Jeremy Dibble, who joins Editor Martin Cullingford to mark the centenary year of Stanford's death. Though arguably still best known today for his church music, we discuss the full breadth of Stanford's works, including his symphonies, songs, chamber music, and his operas - the latter a genre he was devoted to throughout his life.

William Christie, the founder - and guiding spirit for the past 45 years – of Les Arts Florissants, celebrates his 80th birthday on December 19.  Gramophone's James Jolly went to visit him at home in Paris to talk about his long career and its colossal impact of the rediscovery of the music of his adopted homeland. Since leaving the USA in the early 1970s and settling in France, Christie has been a major figure both in concert and on record (with a clutch of Gramophone Awards to his name), focusing on music of the 17th and 18th centuries. Their conversation ranged widely taking in memories of the harpsichordist Ralph Kirkpatrick, the countertenor Alfred Deller, the founder of Harmonia Mundi Bernard Coutaz, and many others. Musical excerpts are from from his Harmonia Mundi catalogue, including his latest release 'Bill and Friends' which finds him performing with a host of young musicians.

George Szell took over the Cleveland Orchestra in 1946, and, once he had created the instrument he needed, he started an extensive series of recordings for CBS (American Columbia, now Sony Classical). The focus was on the great works of the Austro-German repertoire and, needless to say, the nine Beethoven symphonies and a selection of overtures were among them (recorded between 1957 and 1967). Sony Classical have just gathered together the symphonies and overtures from the large 'George Szell Complete Columbia Collection' set from 2018, and are releasing them on seven CDs on December 13 and also digitally (already available). James Jolly went to talk to Gramophone's long-serving contributor Rob Cowan about the recordings, and also about George Szell as a conductor in general.

Benjamin Nicholas, Music Director of Merton College, Oxford joins Editor Martin Cullingford to talk about his new recording of Gabriel Jackson's The Christmas Story. This major new commission by the college, available now on the Delphian label, has been recorded by the Choir and Girl Choristers of Merton College and the Oxford Contemporary Sinfonia, and is an Editor's Choice in the latest edition of Gramophone.

Thélème won Gramophone’s Early Music Award in 2022 with their Aparté album of music by Josquin Desprez, ‘Baisiez-moi’. Now they return with a new programme, also for Aparté, ‘All we get is life’, that brings together the music of John  Dowland and John Cage – with an extra track featuring Sting in his song ‘Shape of my Heart’ which he performs alongside Thélème. James Jolly caught up with Thélème’s Director and one of his vocalists, Jean-Christophe Groffe, to talk about what made him bring these two composers together on a single album.

The British pianist Charles Owen has made some fine recordings, securing a quartet of Gramophone Editor's Choice accolades for albums of Poulenc, Jonathan Dove, Liszt and, with the violinist Augustin Hadelich, a collection of Czech music. Now, for Avie, he turns his attention to the music of Robert Schumann from the 1830s, including Carnaval, Papillons, the Intermezzi Op 4 and the Abegg Variations. James Jolly caught up with Charles recently in London to talk about the album, how Schumann's fascination with the duality of his character infuses these early works, and also about the luxury of recording in a beautiful restored barn deep in The Cotswolds without having to worry about the strict timetable of a commercial recording studio.

In this week's Gramophone Podcast, the horn player Alec Frank-Gemmill joins Editor Martin Cullingford to talk about his beautiful new recording of Mozart's horn concertos, released today on the BIS label.

Alexandre Kantorow was winner of the piano category at the 2019 International Tchaikovsky Competition as well as the recipient of that year’s Grand Prix. One of the world's finest young musicians, he has recorded a series of much-praised albums for BIS. And the latest release – a Gramophone Editor's Choice in the November 2024 issue – completes the trio of recordings of the three youthful piano sonatas by Johannes Brahms. It’s joined by Schubert’s Wanderer Fantasy and a selection of Schubert songs in Liszt’s transcriptions. James Jolly caught up with Alexandre in Paris recently to talk about the new release, and also to find out about his plans for the future.

Pianist Hanni Liang speaks to Hattie Butterworth about her new album 'Voices' on Delphian Records formed around Liang's interest in Ethel Smyth's music and life. They also speak about Liang’s musical upbringing and her move towards doing things differently on the concert platform. She shares the cultural differences between China and the west, and what it was like growing up in Germany with Chinese parents.

For this week's Gramophone Podcast, Editor Martin Cullingford is joined by soprano Nardus Williams and Director of the Dunedin Consort John Butt to talk about their new album exploring the music Handel wrote during his years in Rome, a young composer still in the early stages of his creativity. 'Handel in Rome' is released on Linn Records, and available now.

For this week's Podcast, Gramophone Editor Martin Cullingford is joined by Rafael Payare, Music Director of the Orchestre symphonique de Montréal to talk about the music of Schoenberg in the year that marks the composer's 150th anniversary. The focus is his beautiful new recording of Pelleas und Melisande and Verklärte Nacht, which is available today on the Pentatone label.

The 2024 Gramophone Classical Music Awards were revealed on Wednesday October 2, and for this week's edition of the Podcast Editor Emeritus James Jolly, Editor and Publisher Martin Cullingford, and Deputy Editor – and Editor of International Piano – Tim Parry, gathered in the studio to discuss the winners. From Instrumental to Opera, and from Early to Contemporary, join us as we discuss and celebrate the finest albums of the past year.

Claire Booth speaks to Hattie Butterworth about her new album with Ensemble 360, 'Pierrot Portraits', focussed around Schoenberg's Pierrot Lunaire and looking at other composer's interpretations of the character of Pierrot across time. All audio clips come from Pierrot Portraits by Claire Booth and Ensemble 360 out now on Onyx Classics

Editor Martin Cullingford is this week joined by violinist Joshua Bell, pianist Jeremy Denk and cellist Steven Isserlis to talk about their new recording for Sony Classical of Mendelssohn piano trios.

Huw Montague Rendall is a singer who is making waves in the musical world, and he has just released his debut album with orchestra, 'Contemplation'. Signed to Erato by Alain Lanceron, Rendall gives us a superb showcase of his talents with a programme that ranges widely, and reveals many different facets of this fine young artist. Huw's partners for the album are the Opéra Orchestre Normandie Rouen and conductor Ben Glassberg. The son of two distinguished singers – the mezzo Diana Montague and the tenor David Rendall – Huw talks to James Jolly about 'Contemplation'.

On October 2, the Swedish label BIS will hand over its Label of the Year Award to another company. So, to celebrate its 2023 Award, Gramophone’s James Jolly sat down to talk with BIS’s founder and guiding spirit for past 50 years, Robert von Bahr. In this second of two podcasts, Robert discusses some of the outstanding artists who have recorded for BIS, including Bach Collegium Japan, Johan Dalene (who appears on the cover of the October issue of Gramophone), Yevgeny Sudbin, Carolyn Sampson and Sharon Bezaly, Robert's wife. This podcast was made in association with BIS.

In this week's Gramophone Podcast, Editor Martin Cullingford is joined by the conductor Semyon Bychkov to talk about his new recording with the Czech Philharmonic for the Pentatone label of the music of Dvořák - the composer's last three symphonies, Nos 7, 8 and 9, along with three concert overtures, In Nature’s Realm, Carnival and Othello.

In almost exactly one month’s time, the Swedish label BIS will hand over its Label of the Year status to another company. So, to celebrate its 2023 Award, Gramophone’s James Jolly sat down to talk with BIS’s founder and guiding spirit for past 50 years, Robert von Bahr. In this first of two podcasts, James and Robert discuss the label’s beginnings, some of its milestone projects and Robert shares some anecdotes as only he can. This podcast was made in association with BIS.