Gwynne Howell

Brani più ascoltati

1. Mozart: Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum

1. Mozart: Vesperae solennes de confessore in C, K.339: 4. Laudate pueri Dominum

Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra & Sir Colin Davis

2. Handel: Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)

2. Handel: Messiah, HWV 56, Pt. 1: No. 5, Recit. Thus Saith the Lord of Hosts (Bass) - No. 6, Aria. But Who May Abide the Day of His Coming? (Alto/Bass)

Gwynne Howell, Academy of St Martin in the Fields, Sir Neville Marriner & George Frideric Handel

3. Handel: Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)

3. Handel: Messiah, HWV 56, Pt. 2: No. 36, Aria. Thou Art Gone Up on High (Alto/Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

4. Handel: Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder

4. Handel: Messiah, HWV 56, Pt. 2: No. 40, Aria. Why Do the Nations So Furiously Rage Together? (Bass) - No. 41, Chorus. Let Us Break Their Bonds Asunder

Gwynne Howell, Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields & Sir Neville Marriner

5. Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)

5. Handel: Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass)

Gwynne Howell, Academy of St Martin in the Fields & Sir Neville Marriner

6. Caterina Cornaro, IGD 16, Prologo: "Ohimé! qui ancor, padre mio?" (Caterina, Andrea, Mocenigo, Gerardo)

6. Caterina Cornaro, IGD 16, Prologo: "Ohimé! qui ancor, padre mio?" (Caterina, Andrea, Mocenigo, Gerardo)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Montserrat Caballé, Gwynne Howell & Giacomo Aragall

7. Caterina Cornaro, IGD 16, Act I: "Sei bella, o Cipro!" (Mocenigo, Strozzi)

7. Caterina Cornaro, IGD 16, Act I: "Sei bella, o Cipro!" (Mocenigo, Strozzi)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Gwynne Howell & Gérard Friedman

8. Caterina Cornaro, IGD 16, Act I: "Olà. Guardie!" (Lusignano, Mocenigo, Gerardo, Caterina)

8. Caterina Cornaro, IGD 16, Act I: "Olà. Guardie!" (Lusignano, Mocenigo, Gerardo, Caterina)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Ryan Edwards, Gwynne Howell, Giacomo Aragall & Montserrat Caballé

9. Caterina Cornaro, IGD 16, Prologo: "Spera in me, della tua vita l'ombra cupa si dirada" (Gerardo, Caterina, Mocenigo)

9. Caterina Cornaro, IGD 16, Prologo: "Spera in me, della tua vita l'ombra cupa si dirada" (Gerardo, Caterina, Mocenigo)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Giacomo Aragall, Mantserrat Caballé & Gwynne Howell

10. Caterina Cornaro, IGD 16, Act I: "Credi che dorma, o incauto, perché il leon non rugge?" (Mocenigo, Strozzi)

10. Caterina Cornaro, IGD 16, Act I: "Credi che dorma, o incauto, perché il leon non rugge?" (Mocenigo, Strozzi)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Gwynne Howell & Gérard Friedman

11. Caterina Cornaro, IGD 16, Prologo: "Dunque è ver bugiardo core" (Gerardo, Caterina, Mocenigo)

11. Caterina Cornaro, IGD 16, Prologo: "Dunque è ver bugiardo core" (Gerardo, Caterina, Mocenigo)

Orchestre Lyrique De L'Ortf, Gianfranco Masini, Giacomo Aragall, Mantserrat Caballé & Gwynne Howell

12. Caterina Cornaro, IGD 16, Prologo: "Dell'empia Cipro il popolo, stolto e ribelle ognora" (Mocenigo, Andrea)

12. Caterina Cornaro, IGD 16, Prologo: "Dell'empia Cipro il popolo, stolto e ribelle ognora" (Mocenigo, Andrea)

Orchestre Lyrique De L'Ortf, Gianfranco Masini & Gwynne Howell