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New York Stadium Symphony Orchestra & Leonard Bernstein

Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai

New York Stadium Symphony Orchestra & Leonard Bernstein

Bernstein: The 1953 American Decca Recordings

17 MINUTI E 48 SECONDI

Lista brani dell'album

1
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
14:39
2
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
17:48
3
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
05:39
4
Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
12:10
5
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): I. "Simplicity Itself..." (1st Movt.)
13:25
6
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): II. "I Always Feel This Gigantism" (2nd Movt.)
06:07
7
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): III. "We Have Just Been Examining..." (3rd Movt.)
05:26
8
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): IV. "All That We Have Said" (4th Movt.)
09:12
9
Beethoven: Musical Analysis (Bernstein on Beethoven´s Symphony No. 3, Op. 55 "Eroica"): V. "The Study of the Eroica Is a Lifetime's Work,..."
01:06
10
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio – Allegro molto
08:52
11
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo
13:33
12
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": III. Scherzo. Molto vivace
07:16
13
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco
11:26
14
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
09:52
15
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": II. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)
03:22
16
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
01:40
17
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)
05:00
18
Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World": V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)
01:01
19
Schumann: Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai – Allegro ma non troppo
12:27
20
Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
06:59
21
Schumann: Symphony No. 2 in C Major, Op. 61: III. Adagio espresssivo
11:54
22
Schumann: Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
08:15
23
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
04:22
24
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: II. "To My Mind Schumann Follows in This Tradition"
01:48
25
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: III. "Now Let´s Look at the Symphony Itself" (1st Movement)
08:39
26
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)
06:51
27
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
04:49
28
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: VI. "But Perhaps the Greatest Beauty..." (3rd Movement)
07:32
29
Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61: VII. "Even in the Final Movement" (4th Movement)
05:16
30
Brahms: Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
11:51
31
Brahms: Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
11:53
32
Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso
06:07
33
Brahms: Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato
10:49
34
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: I. "Brahms´ 4th Symphony in E Minor is Today ..." (4th Movt., Opening Theme)
04:45
35
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: II. "Our Journey Begins Without Introduction..."
05:15
36
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: III. "Do You See Now What a Symphonic Theme Is?"
03:24
37
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: IV. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"
05:47
38
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: V. "Here Is That 2nd Theme"
02:42
39
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VI. "This Brings Us to the Development Section Proper"
09:34
40
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VII. And Here We Are Back Home, Ready for the Rehearing of the Exposition..."
02:17
41
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: VIII. "So We Arrive at the Coda"
03:18
42
Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement: IX. "Well, We Have Had a Microscopic Look at Symphonic Method"
02:12
43
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo
18:43
44
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia
08:14
45
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Scherzo. Allegro molto vivace
09:08
46
Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale – Adagio lamentoso
11:17
47
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
09:18
48
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 2. "Now The Development Section Erupts..." (1st Movt. Cont.)
01:58
49
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt)
01:56
50
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 4. "Jumping Now to the Famous Third Movement, The Great March..." (3rd Movt.)
01:50
51
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)
03:41
52
Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique": 6. "Now I Don´t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"
06:01
Bernstein: The 1953 American Decca Recordings
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Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
℗ This Compilation 2004 Deutsche Grammophon GmbH, Berlin © 2004 Deutsche Grammophon GmbH, Berlin