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Harry Partch

A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation

Harry Partch

Partch, H.: Historic Speech Music Recordings (Enclosure 2)

6 MINUTI E 52 SECONDI

Lista brani dell'album

1
I am Harry Partch
00:24
2
By the Rivers of Babylon
03:25
3
Texts and Music: A Wagnerian Wrestling Match
01:22
4
17 Lyrics of Li Po: A Dream
04:34
5
17 Lyrics of Li Po: An Encounter in the Field
00:47
6
17 Lyrics of Li Po: On Hearing the Flute
01:00
7
17 Lyrics of Li Po: The Intruder
01:10
8
17 Lyrics of Li Po: I am a Peach Tree
01:26
9
17 Lyrics of Li Po: With a Man of Leisure
00:47
10
17 Lyrics of Li Po: A Midnight Farewell
01:19
11
17 Lyrics of Li Po: Before the Cask of Wine
02:10
12
17 Lyrics of Li Po: On the Ship of Spicewood
02:31
13
17 Lyrics of Li Po: By the Great Wall
01:56
14
The Use of English in Serious Music
00:57
15
Barstow: 8 Hitchhikers' Inscriptions
08:26
16
San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
02:29
17
Life is too precious to spend it with important people
01:29
18
US Highball: a Musical Account of a Transcontinental Hobo Trip
26:46
19
My Heart Keeps Beating Time
01:36
20
San Francisco II
02:50
21
I'm going to start right off by giving you some sounds…
00:30
22
2 Settings from Finnegans Wake: No. 1. Isobel
02:53
23
2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
02:20
24
Dark Brother
07:37
25
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
02:14
26
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
06:05
27
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
01:05
28
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
01:35
29
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
01:07
30
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
00:53
31
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
01:24
32
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
01:52
33
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
01:08
34
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
01:23
35
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
02:25
36
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
02:27
37
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
03:56
38
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
02:39
39
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
04:04
40
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
01:45
41
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
06:12
42
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
10:42
43
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
06:52
44
Bitter Music: June 11, 1935 — Santa Rosa, California
00:27
45
Bitter Music: June 12 — Federal Shelter, Stockton
03:36
46
Bitter Music: June 13
01:28
47
Bitter Music: June 14
02:22
48
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
03:27
49
Bitter Music: June 17
00:26
50
Bitter Music: July 4
03:50
51
Bitter Music: July 14
00:49
52
Bitter Music: July 16
01:16
53
Bitter Music: July 19
01:11
54
Bitter Music: July 20 — Heading North, Between Sacramento and Redding
02:23
55
Bitter Music: July 24 — Federal Shelter, Portland
02:25
56
Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington
06:15
57
Bitter Music: July 27
00:33
58
Bitter Music: July 29
00:24
59
Bitter Music: July 30
00:28
60
Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon
01:56
61
Bitter Music: August 15
01:30
62
Bitter Music: October 22 — Nearing Monterey
05:01
63
Bitter Music: October 24 — Leaving Big Sur
02:32
64
Bitter Music: October 25 — Near Slate's Hot Springs
02:56
65
Bitter Music: October 26
01:21
66
Bitter Music: October 27
00:35
67
Bitter Music: October 28
00:17
68
Bitter Music: October 29
01:27
69
Bitter Music: October 30 — Big Creek
00:53
70
Bitter Music: November 12 — Santa Barbara
02:23
71
Bitter Music: November 14
00:30
72
Bitter Music: November 15 — Leaving Santa Barbara
04:17
73
Bitter Music: November 16 — Ojai
00:56
74
Bitter Music: November 17
01:02
75
Bitter Music: November 23 — Los Angeles
00:28
76
Bitter Music: November 28
00:18
77
Bitter Music: December 4
00:42
78
Bitter Music: December, 1935
08:44
79
Bitter Music: February 1, 1936 — San Bernardino
04:00
80
Yankee Doodle Birds
00:36
81
Yankee Doodle Fantasy
03:57
82
2 Settings from Lewis Carroll: O Frabjous Day!
03:12
83
You are charged with being guilty. Are you drunk or not?
01:02
84
Ring Around the Moon, a Dance Fantasm for Here and Now
09:03
85
Bless This Home
03:25
86
Harrys Wake
46:25
Partch, H.: Historic Speech Music Recordings (Enclosure 2)
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A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
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